Technique , Toolkit , Tools of the Trade A Studio Journal Will Organize Your Thoughts and Creativity
Sketchbook journals are used for all kind of purposes. I’ve used them for more than 30 years. What works best for me is to have a separate journal for different purposes.
However, my favourite journal stays in my studio where I can find it when I need it. When I have an idea for a new piece of artwork, I sit down and write about it in my studio journal along with what I hope to accomplish. I try not to think about it and let my subconscious tell me what it should be. Sometimes I get in the groove, and sometimes I don’t. Still, whatever I write helps me organize my thoughts.
I use my studio journal to do some preliminary sketching, to take a closer look at composition and values, and keep track of colour combinations I come up with.
The tagline for my art is, “it’s all about the colour,” and I use my studio journal to record colours and combinations I like and dislike. I keep records of which paints I have in my supplies, record colour mixes, and how I arrived at them.
Keeping a record of your colour mixes in your studio journal is key
I paint a lot of abstracts and often use colours right from the tubes without mixing them. I like the vibrancy of colours – especially reds, oranges, and yellows – I rarely use titanium white or carbon black.
But only using paint from the tube is limiting yourself to a finite selection of colours. Phthalo Blue (Red Shade) is going to look pretty much the same no matter which manufacturer you choose. When you begin mixing colours, you begin to develop your own colour palette.
In addition to being a good art practice, many artists over time developed their personal colour palette and style that helped them become well known and successful. Let’s take a look at two artists who made a (good) living with their art.
Anatole Krasnyansky (1930 – )
Krasnyansky developed a watercolour technique that incorporated pieces of paper to add texture. Born and raised in Ukraine when Russia was still the U.S.S.R., he emigrated to the US in 1975. He has degrees in fine art and architecture. Here are abstract images that are identifiable, but the whole composition is extraordinary. Can you find the duck in the first image?
Gustav Klimt (1863 – 1914)
Another artist with a consistent colour palette (that included real gold) is Austrian artist Gustav Klimt. The painting on the left is of Adele Bloch-Bauer. She was married to a rich industrialist and was Klimt’s mistress and muse. Many of Klimt’s paintings feature her.
The image on the right is called“The Kiss.” It is the most well known of his work. The Kiss is so popular that it has been used commercially in all kinds of ways – clothes, calendars, coffee mugs, coasters, and key chains, to name just a few. Klimt tended to create additional paintings based on one of his paintings. It might have a different background or ornamentation on a dress. This way, one painting could turn out to be multiple paintings of the same subject.
Of course, each of these artists’ particular style of painting helped with their notoriety. I admire these artists for their colour palettes, style, and talent, especially.
A studio journal will help you keep track of all of the combinations you create
Once again, your studio journal is the key. Here’s one of the pages in mine.
At the top of the left column is a blue colour I mixed. I made it with Anthraquinone Blue, Prussian Blue, and Cobalt Teal. Under that I put a sample of each colour I was going to use in my effort to create a green that would work for one of my paintings. From the top, under My Blue is Phthalo Blue (Red Shade) – PBRS; Cadmium Yellow Light – CYL, and Hansa Yellow Medium – HYM
At the bottom of the left column, I mixed four greens from Phthalo Blue (Red Shade) and Cad Yellow Light by using different amounts of blue or yellow. The second one has Iridescent Gold Fine mixed in.
In the centre column, I used the same blue – Phthalo Blue (Red Shade) – but switched the yellow to Hansa Yellow Medium. Even though the two yellows are distinctly different, I think the greens I made are similar to the mix in the left column. They may be a little bluer. I like the three combinations where I added Iridescent Gold Fine.
Keeping a studio journal handy where you can record information and studies of subjects will help immensely with your growth as an artist. Instead of having a bunch of notes stuffed into a drawer or envelope, put them in your studio journal (glue or tape pages when needed). Then you can find what you need without searching.
MEET THE AUTHOR
Ardak Kassenova is mother, artist and ZenART Supplies co-founder. “My heart and soul were always with Art, and since my childhood as long as I remember myself, I was dreaming to be an artist. I was painting after work, when I had time, and teaching myself through the books, videos, visiting art galleries and museums. I’ve been very curious about different techniques and styles, and therefore accumulated knowledge and experience on a variety of mediums”.
After 20 years of a successful corporate career and with becoming a mother to two wonderful girls, she decided that it’s time to make drastic changes and link her life with Art. She started to paint again and decided to create her own art supplies brand that would help artists to fulfil their creative dreams and achieve their best results since the beginning using high-quality art materials without wasting their precious time and money. Say hello to @ardak_zenart on Instagram!
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